Showing 38 items matching murray griffin
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Federation University Art Collection
Work on paper - Printmaking - Linocut, Griffin, Murray, 'Heron' by Murray Griffin, 1950
... 'Heron' by Murray Griffin...murray griffin...Murray GRIFFIN (11/11/1903– 29/01/1992) Born Malvern...signed lls 'Murray Griffin '50'...Griffin, Murray... Griffin Framed colour linocut by Murray Griffen. signed lls ...Murray GRIFFIN (11/11/1903– 29/01/1992) Born Malvern, Victoria Vaughan Murray (Murray) Griffin trained at the National Gallery of Victoria Art School from 1919 to 1923. He taught art at Scotch College (1936 to 1937), drawing and teaching at RMIT (1937 to 1940) and teacher of drawing at the National Gallery of Victoria Art School 1946 to 1953. In 1941 he was appointed an official war artist working with the 8th Australian Division in Malaya for three months. The completed works were prepared for transport to Australia but did not arrive and are lost. He was captured by the Japanese in February 1942 after the fall of Singapore and incarcerated for three and a half years as a Prisonor of war at Changi Prison, Singapore. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed colour linocut by Murray Griffen.signed lls 'Murray Griffin '50'art, artwork, murray griffin, griffin, linocut, printmaking -
Bendigo Military Museum
Book, Rohan D Rivett, Behind Bamboo, 1991
... by Murray Griffin. Rising Sun badge illustrated on front & back... Digging Bore Hole Latrines by Murray Griffin. Rising Sun badge ...Book is part of the Australian War Classics series presented by E E (Weary) Dunlop.Book, soft cover, white print on front, back & spine. Front cover illustration detail from Digging Bore Hole Latrines by Murray Griffin. Rising Sun badge illustrated on front & back covers, 400 cut plain pages, black & white illustrations. Handwritten in blue ink on front flyleaf: J Fuller In black ink on front flyleaf: RSL Stampbooks, military history -
Ararat Gallery TAMA
Print, Nanette Bourke, Just a Gumtree, 2006
... of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially... of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMA
Print, Nanette Bourke, The Cult of the Car - Carefree Youth, 1990
... of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially... Waller, Murray Griffin, and especially Eric Thake - Bourke ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMA
Print, Nanette Bourke, The Cult of the Car - Obsolescence, 1989
... of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially... Waller, Murray Griffin, and especially Eric Thake - Bourke ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMA
Print, Nanette Bourke, Scarlet Banksia, 1988
... of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially... by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMA
Print, Nanette Bourke, She-Oak in Spring, 2002
... of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially... by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMA
Print, Nanette Bourke, Aftermath, 2005
... of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially... of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMA
Print, Nanette Bourke, The Growth of Tourism, 1988
... of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially... by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMA
Nanette Bourke, Opening up the Land, 1995
... of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially... of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMA
Nanette Bourke, Return of the Grasstrees, 2007
... of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially... by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMA
Print, Nanette Bourke, No, I don't want to live to 100, Thank you, 1992
... of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially... - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMA
Print, Nanette Bourke, Watch Over All Living Things, 1996
... of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially... Waller, Murray Griffin, and especially Eric Thake - Bourke ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMA
Print, Nanette Bourke, Starleaf Grevillea, 2008
... of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially... by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMA
Print, Nanette Bourke, Blue Devils, 1992
... of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially... of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMA
Print, Nanette Bourke, Casuarina Grove, 2003
... of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially... by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMA
Print, Nanette Bourke, Grasstrees, a different perspective, 1992
... of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially... Waller, Murray Griffin, and especially Eric Thake - Bourke ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMA
Print, Nanette Bourke, Burnt Wattle's Tracery, 2008
... of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially... Waller, Murray Griffin, and especially Eric Thake - Bourke ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMA
Print, Nanette Bourke, Smooth Fruited Grevillea, 1996
... of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially... Waller, Murray Griffin, and especially Eric Thake - Bourke ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Surrey Hills Historical Society Collection
Photograph, 627 Whitehorse Road, Surrey Hills
... and there is a portrait of him by Murray Griffin done in Changi. Dr Lorimer Grant... on the fall of Singapore and there is a portrait of him by Murray ...This has been a home/surgery for a number of general practitioners. Dr Hedley Francis Summons is listed on the 1931 and 1936 electoral roll as resident / practising here. He was born in Kew in 1899 (died in 1967) and married Elsie Florence Finlayson in 1925. They had a son and daughter. In 1937 the family returned to Melbourne from Edinburgh. He became Lt Colonel of the 2nd 9th Field Ambulance, 2nd AIF in WW2. He was taken POW on the fall of Singapore and there is a portrait of him by Murray Griffin done in Changi. Dr Lorimer Grant Morton (1904-1989) graduated in 1931 and was registered at 627 Whitehorse Road in that year until c1937. Dr Alan Herbert McNaughton graduated in 1932 and was the general practitioner during the WW2. He is listed at the address in the 1942 and 1943 electoral roll. He married Nancy Winifred Bottomley in 1940. Dr Jack Ramsay Collie (1914-1990) was a general practitioner at 627 Whitehorse Road from c1954-1980. He served in RAN in WW2; married Mary Sewell Graham in 1945 and had a son and a daughter. 627 Whitehorse Road probably ceased as a medical practice after his retirement. Sale history: Sold in November 2007 by Marshall White Real Estate for $1.455M Sold in September 2011 by Jellis Craig real Estate for $1.75MThe house is significant as an example of past practice of general practitioners having their surgeries as part of their home. This example is from a later date than the Surrey Hills Medical Centre (SHMC) at 174 Union Road, which was purpose-built for Dr James Landells Blakie in c1911. In this case the building has reverted to domestic use, whereas in the case of SHMC its use became solely medical.A coloured photograph of a house with an established garden and a wire fence along the front. A tall gum tree stands in front of the house.surrey hills, whitehorse road, doctors, dr hedley francis summons, dr jack ramsay collie, (miss) mary sewell graham, (mrs) mary sewell collie, dr donald malcolm collie, (miss) elsie florence finlayson, (mrs) elsie florence summons, dr alan herbert mcnaughton, (mrs) nancy winifred mcnaughton, dr lorimer grant morton -
Wycheproof & District Historical Society Inc.
Wycheproof Honour Roll, FOR GOD KING AND COUNTRY 1914 -1918 WAR, 1919
This Honour Board listing of servicemen contributes to and is part of a National collection of Memorials to honour our armed forces. Listed are 49 names of whom 11 are Fallen.This Presbyterian Church Honour Board is believed to be the only existing 1914 - 1918 Board of its type. It has social and cultural value - and is of local,State and National importance.Large rectangular solid varnished wooden Memorial has inscribed, in gold lettering, 49 local Wycheproof and District servicemen, 11 of whom are marked Fallen. Below the top edging is some ornate wooden decoration. ARCHBOLD S . / ATKINSON H. / AXTON A. / BOYCE W.G. / BRUCE R. / BRYCE R. / BUCHANAN A.W. / CREELMAN K. / CURRIE A./ CURRIE N.G. / + DENNEY A. / DENNEY P./ DOWNIE J.J. / GRAY A.B. / + GRIFFIN C. M. / HARDING G.M. / HARRISON L . / HERCULES W. / HERCULES C. / HERCULES N. / + KERR J. / KERR A. / MARTIN G. / MARTIN J. / MATHESON H. / MORRISON J.H. / MORRISON H. / McCALLUM H. / McDONALD G. / McDONALD G. / McDONALD G.M. / McDONALDW. / McDONALD W. B. / McKENZIE C.R. / McLENNAN C.R. / McPHERSON E. / + McPHERSON A.G. / McPHERSON A. / + NICHOLLS J.L. / ORR F.J. / +ORROCK P.N. / PRATT A.H.G. / PRITCHARD J. / PRYDE L. / + PRYSE D. / + ROBINSON S. / + SAYERS W.J. + SLOCOMBE R. / UNWIN A.H. / WILSON S. Silver plaque attached reads: Presented by Mrs M.J. Matheson 1919 ARCHBOLD S . / ATKINSON H. / AXTON A. / BOYCE W.G. / BRUCE R. / BRYCE R. / BUCHANAN A.W. / CREELMAN K. / CURRIE A./ CURRIE N.G. / + DENNEY A. / DENNEY P./ DOWNIE J.J. / GRAY A.B. / + GRIFFIN C. M. / HARDING G.M. / HARRISON L . / HERCULES W. / HERCULES C. / HERCULES N. / + KERR J. / KERR A. / MARTIN G. / MARTIN J. / MATHESON H. / MORRISON J.H. / MORRISON H. / McCALLUM H. / McDONALD G. / McDONALD G. / McDONALD G.M. / McDONALDW. / McDONALD W. B. / McKENZIE C.R. / McLENNAN C.R. / McPHERSON E. / + McPHERSON A.G. / McPHERSON A. / + NICHOLLS J.L. / ORR F.J. / +ORROCK P.N. / PRATT A.H.G. / PRITCHARD J. / PRYDE L. / + PRYSE D. / + ROBINSON S. / + SAYERS W.J. + SLOCOMBE R. / UNWIN A.H. / WILSON S. Silver plaque attached reads: Presented by Mrs M.J. Matheson 1919 wycheproof presbyterian - church, first world-war, honour roll, matheson, m.j -
Tatura Irrigation & Wartime Camps Museum
Book, Lillian Louisa Pitts et al, Merrigum Frank, 1990
Photo essay made by Lillian Louisa Pitts c 1915. Photographs part of the biggest family album in Australia. Originals owned by Frank Pitts, copied for Museum of Victoria collection. Merrigum Frank compiled by Evan McGillivray and Matthew Nickson.Photo essay made by Lillian Louisa Pitt, c 1915. Glossy hard cover, white, blue design. Photo of boy winking. Front and back in sepia, text left hand pages, pictures on right. Pages framed in grey. no page numbers.Tatura and District Historical Society 1990 -
Tatura Irrigation & Wartime Camps Museum
Folio - Wartime Camps, Camp 3, c.998
Letters, photos and recollections from former internees held in Camp 3, Tatura during World War 2.Many original documents, letters and photos relating to the internees held in Camp 3, Tatura during World War 2. Much of this material relevant to German Missionary families arrested in New Guinea.Black two ring folder.Camp 3.new guinea missionaries, camp 3 tatura, hertle, beinssen, fugmann,griffin, loveday camp, list. -
Tatura Irrigation & Wartime Camps Museum
Photographs, Girshik family, 1943
Photos taken within Camp 3. Nine photos of Camp 3 life, including the Girshik family and Monsignor Apostolic Delegate. Six photos including map of British entry into Persia & Helga Griffin addressing the Historical Society 2006.camp 3 -
Tatura Irrigation & Wartime Camps Museum
Photograph, Camp 3
Photographs taken in Camp 3, Tatura. Official group photo including the Girschik family. Children with Father Panico. Departure of internees by train. Map of invasion of Persia by Britain & Russia. Helga Griffin (nee Girschik) addressing the Tatura Historical Society and presenting a dress embroidered in Camp 3 by Helga's mother. Peter Girschik addressing Historical Society, 23 October 2007, two digitised photos.helga griffin, helga girschik, father panico, camp 3 tatura, persia -
Tatura Irrigation & Wartime Camps Museum
DVD, Stateline, Canberra, Helga Griffin, 2006
ABC Interview - Stateline, Canberra. 11 August 2006DVD. Text written in black on a white background. Inside a round clear plastic cover.interview, griffin h, stateline, canberra, camp 3, tatura, ww2 camp 3, communications, dvd -
Tatura Irrigation & Wartime Camps Museum
Folder, Recollections of events in the life of the Girschik and Griffin families
Recollections of events in the life of the Girschik and Griffin families. Internment of the Girschik Family - Personal Diary by Rudolf Girschik. Letters (2) to Girschik Family and Annie Girschik in German and translated into English. New Homeland written by Helga Griffin. Copy of speeches to Goethe Society, Canberra 2006 and Tatura Probus Club 2007. Text in German and English. Birth Certificate Peter Girschik. Camp 3 TaturaWritten recollections of events in the life of the Girschik familyww2 camp 3, girschik, griffin, helga griffin, helga girschik, annie girschik, peter girschik, camp 3 tatura -
Tatura Irrigation & Wartime Camps Museum
DVD, ABC Interviews, 2006
ABC radio interviews with Jon Faine, J Cleary and P. Adams talking with Helga Griffin, nee Girschik, ex Camp 3, Persian Group, after launch of Helga's book "Sing Me That Lovely Song Again", her personal storyDVD. Text written in maroon, part of a Cello on the cover. Inside a rectangular clear plastic coverinterviews, griffin h, faine j, cleary j, adams p, abc radio, camp 3, tatura, ww2 camp 3, communications, dvd -
Tatura Irrigation & Wartime Camps Museum
DVD, Camp 3. Calendar 1944, 2006
DVD containing Tatura Camp 3 Calendar for 1944 and image of embroidery on Helga Griffin's dress made by her MotherDVD "Mag Media" in grey and gold text on a cream background. Wrapped in papercalendar, dress bodice, griffin h, camp 3, tatura, ww2 camp 3, communications, dvd -
Tatura Irrigation & Wartime Camps Museum
Book, Sing Me That Lovely Song Again, 2006
Helga Griffin, daughter of Austrian engineer father and German mother. Interned aged 6 years and sent to Australia with her parents and young brother. Five years interned in Camp 3 near Rushworth, then released to Melbourne. Helga vividly describes her early childhood in Persia. The mixed emotions of her whole family during the internment experience and postwar, trying to adjust to a new country, new culture, new language. Very evocative memories of wartime dislocation.Blue/green front soft cover, red and white printing, white back cover and spine, black printing.With my very best wishes to the Tatura museum and the sterling work of the volunteers that contribute to its valuable presence. Helga 26.5.06ww2 camp 3, books, autobiography, helga griffin, helga griffin (girschik)